Monday, January 2, 2017

Smoking Habit

A misleading title perhaps, because "habit" is a strong word and it's provided without context. Although I like the occasional cigar, I'm not talking about tobacco, I'm talking about woodsmoke used the flavor things. For this particular week, before I've got to grind back at work, I'm experimenting with a portable smoker provided by my good friend, Chris Brook, to see if I can make any cocktail magic.

Yesterday's attempt was to mesquite smoke the glass the drink was made in:


Then, I built a blood-orange old fashioned using Makers 46, Sugar cubes, my own Number 11 Holiday Bitters, and orange peel.


The result was only a slight hint of smokiness in the drink. It might be necessary to smoke the glass multiple times, or let the smoke rest in the glass for a longer duration in order to impart more flavor.

And a note to all my regular cocktail readers: yes, I know I can probably research these techniques on the internet, but seriously, it's a lot more fun to experiment with this stuff than to just have everything answered for you.

Tomorrow: smoked vermouth.

Wednesday, May 18, 2016

Time Travel Journalism

I'm burying the lead with that title, because this is actually about the experience of re-watching All The President's Men last week with the perspective of being on the far side of the millennium. If you haven't seen (or seen in a while) the film, it's streaming right now on Amazon Prime and you should check it out.

Most people agree the 70s were a pretty fertile time for American films and I'd make a case that All The President's Men marks a turning point in pop culture, politics, pop journalism, and film. Released in 1976, after Jaws planted the flag on the beachhead of summer blockbuster paradigms in 1975, but before Star Wars swung the entire industry to that model a year later. ATPM grossed $70m and won four Academy Awards, including ones for Best Supporting Actor and Best Writing, Adapted Screenplay.

The 70s, although separated from us temporally by a good four decades, were not as far off as we may like to think. Economic problems, although of a different nature, were common. Inflation, income disparity, an oil crisis. Unrest in the Middle East, as well as tensions with the Soviet Bloc. Racial strife. And, oh my, distrust in the political system, largely cause by the Watergate cover-up, ending with the resignation of a sitting President.

Despite this past year's accolades for Spotlight, it's worth remembering that ATPM was one of the first modern journalist-as-hero movies to grab the popular spotlight. The cover-up motifs that run through each work are highlighted by the unthinkable reality that the perpetrators of the cover-ups were people abusing sacred trusts. As print journalism continues its long painful death spiral, there is something refreshingly innocent about characters righteously pursuing the truth and publishing it. Not some crazy little blog (kinda like this one), but in a national daily, read by millions.

ATPM has a certain tightness of story that you don't see in films currently, which are all bloated beyond repair in service to some vague notion of branding. Goldman's script, based on the book by Woodward and Bernstein - focuses on "the story" as character. The cover-up is a character the reporters are searching to uncover, to really get to know. That is the story of the film and it stays relentlessly focused on that topic.

There is no flab on the film's structure - when the story is done, they're out - credits roll. It's almost shockingly fresh. They get to the point, tell the story cleanly, keep focus, and don't let anything drag. The amount of tension that's built without any real physical confrontation is remarkable. It's old-school, straight-up filmmaking, and well worth a fresh look, even if it's just to secretly giggle when you realize all the reporters' diligent research now can be handled with google and a cell phone.


Sunday, March 13, 2016

Political Interlude Nobody's Going to Read

As we all patiently wait for the arrival of Spring on our calendars, I'm going to dip my toe into the political maelstrom for one brief point about Narrative; please note I'm using that word in the grand sense. Much of our lives is spent constructing narratives that explain our everyday existence, a story framework that gives meaning where there may, in fact, be none. We all imagine ourselves as the central hero of a grand narrative of our lives. It's comforting, right?

Writers spend their lives grappling with issues of storytelling and the meaning of narratives and one thing most of us understand is that at the root of all drama is conflict. Without conflict, little to no drama. The type of conflict is in many ways irrelevant. Its existence, and the attendant drama, hold an audience's attention. The conflict, for an adept writer, can be created out of whole cloth, but as long as an audience wants to believe it, an audience will watch it.

In the entertainment world, where keeping audience attention is critical, the truth of an actual conflict is secondary to keeping the audience in their seats.

In the political world, I think manufactured conflict is a bit more problematic. At this point in time, I can't shake the feeling that the media is manufacturing conflict - and thus narrative - where none actually exists and I can see only two possible motives, one self-serving, one that could be considered journalistic over-reach.

I'm primarily (pun intended) focused on the democratic party right now. I'm a lifelong democrat, so they occupy most of my focus, both positive and negative. If you look at today's primary standings, Clinton has 1231 delegates and Sanders has 576. Since we liberals are the ones to tout our belief in science and math, can we focus for a second on the fact that this numerical disparity would be considered a commanding lead in any other race? It is nearly a statistical impossibility that Sanders can win the nomination yet the media still portrays this as a neck and neck race. Why?

Conflict. 

By manufacturing a conflict, the media has the narrative that is Clinton v. Sanders. That narrative is what keeps people tuning in. If the democratic story is over until the general campaign begins, all those democrats may turn their channels from the news outlets until that point in time. Those revenue dollars then go somewhere other than the news channels. So, that's the self-serving motive that I pointed out. The news media needs to generate viewers and one way to do it is report things in such a way to keep their narrative running.

You may shrug this off and say, "hey, it's the media. This is what they do." Yes and no. News outlets are supposed to report on events with editorial balance, but you may have noticed that over the last few years, traditional news has slipped into the "infotainment" category, where we rely ever-increasingly on the news channels' interpretations of the events, rather than any kind of objective reporting. When much of the public relies more heavily on TV Comedians for their news sources than actual news-reporting agencies, there's a problem.

To recap, Clinton has a nearly unbeatable lead and all reality-based statistics point to the conclusion that she will be the Democratic nominee for president. Everyone can understand the need for ratings and the self-serving motives of TV Networks in prolonging a story. But the troubling undercurrent here is that you could argue that the news outlets are actually trying to influence the elections. Does the constant narrative of an underdog win by Sanders somehow destabilize the elections themselves? Is he the one being propped up by the media, rather than the popularly-touted claim that Clinton is always getting the benefit of the doubt?

I make no judgment about the candidates themselves, but I do encourage you to question your news sources and the media. Their agenda may not always be the same as yours.

Apologies for the dip into politics. Martini Mondays will return in the spring!

Monday, October 12, 2015

Martini Mondays - Interlude

Hey, it's a holiday, so drink whatever you like.

I'm using this off-week to talk a brief second about glassware. Some folks get really tweaked about glasses in general. I'm a little more "come as you are" on the glassware front. Whatever gets it into my mouth does the job. But within that parameter, there are endless variations.


You find coupes, cocktail glasses, giant birdbaths and everything in between. My two thoughts on glasses for your martini:

First, giant oversized glasses may look like a circus trick and allow you to pour in an eight-ounce martini, but they tend to be unstable and drinks that large go tepid before you usually drink them. I prefer my martinis, no matter the recipe, to be well- chilled.

Second, pack your glass with ice ahead of time. That way, the chill on your drink lasts longer.

Like wine glasses, cocktail glasses are stemmed so that you don't have to hold the vessel itself, thus using your own body heat to warm a drink that usually isn't served with ice.

Simple, right?

#martinimondays

Monday, October 5, 2015

Martini Mondays #4 - Choice of Poison

I have a martini and I feel, once more, real.
  --Anne Sexton

As with the proverbial manners that maketh the man and accessories that crown the outfit, so too with ingredients sealing the deal in cocktails. Lord knows a lot of other deals have been sealed based on a well-made cocktail. Using high quality, specially chosen ingredients is the hallmark of gastronomical success and selections from behind the bar are no different. While perhaps this column should have been the first in the series, I held off for two reasons.

First, without some basic knowledge and drink recipes under your belt, you may be hesitant to embark into a world of complete nuance and personal taste, which leads to--

Second, I don't want to give the impression that I'm a snob about this stuff, as if there's only one way to drink and it's based on some arcane knowledge only the privileged few possess.  I have my opinions about things, but they are the opinions based on my own palate and preferences.

My preferences are informed ones.

The picture to the left is from a recent gin tasting I had the good fortune to attend. You can see ten different bottles of gin (and seven kinds of bitters) sitting on this counter, and that wasn't all the gin we had in the house. This line-up was inspired by vacation finds - from somewhere other than our neighborhood liquor stores - that a few of us brought together for an evening of tasting and mixology.

Quite simply, the more you taste and try, the more you're able to narrow down your own opinions and preferences. There are no wrong answers when someone asks, "what do you like to drink?" Drinking is an inherently pleasurable act and if there's no pleasure involved for you, you're doing it wrong. That isn't to say your taste can't change over time as you, yourself, change. In my youth, Beefeater on the rocks was my choice at the bar. With more experience and interests, I tasted everything I could get my hands on. For now, my favorite martini variation, with specific and somewhat challenging ingredients to source, is as follows--

My Favorite Martini (...today 10/5/15)

2 oz. Bluecoat Barrel Aged American Gin
1 oz. Carpano Bianco Vermouth
2 dashes The Bitter Truth Orange Bitters
Lemon Twist

Gently stir all liquid ingredients in a beaker over large ice cubes. Strain into a chilled coupe and twist in the lemon peel.

The Taste

In the glass, the barrel aged gin gives a lustrous golden color to the drink. It's redolent of honey, oak, wildflowers and juniper. The aging lends the gin more heft and roundness in the mouth than standard bottlings and this feels like a more substantial drink than the classic martini, with the oak and juniper pairing nicely to the dried-fruit notes of the vermouth. For me, this is an easy-drinker and it offers an over-abundance of simple pleasures. Especially after two of them.

The main trick with ingredients, of course, is discovering what you like, and in what combinations you like it. The martini is endlessly flexible in this regard, and endlessly forgiving.

So, be bold. Taste everything. Experiment. Most of all, have fun.

Next Week - On Being a Pro

#martinimondays