Screenwriting Lessons From Baseball

If you're expecting a discourse on Bull Durham or Pride of the Yankees, you're going to be disappointed, here. We're going to start today's lesson from the trenches with a dissection of what's wrong with pro baseball. I'm pretty sure this applies to most pro sports, but I don't give a flying fuck about them, so you're stuck with baseball as the metaphor of the day.

Some of my fondest memories from being a kid were of the evenings when we'd pile into the car and drive down to Baltimore to catch a mid-week Oriels game; we'd leave when my mom got home from work, drive the hour to the stadium, buy a couple of tickets, watch batting practice, try to cage autographs, eat hot dogs, then watch the game, drive the hour home drowsy in mid-summer torpor, and be in bed by 11. My family didn't have a whole lot of money, but we didn't have to skip any meals to afford a couple of games a month. If you look at it in today's terms, I could never do this with my kids. Seats comparable to those we used to get are now $60 in Philadelphia. You can easily spend $100 on food and not be sated. What the fuck happened to baseball?

I can understand that ticket prices go up. I don't think prices rise in proportion to any real market influence, but let's just leave money out of it for now. The real baseball crime is that it now takes four hours to play a game, and mostly what you watch is a pitching duel. You're lucky if you see five hits in a game. I gotta tell you, this is boring as shit. Watching managers shuffle pitchers to match individual batters is frustrating and annoying for the fans. It's sucking every last bit of fun out of the game. Therein lies my point.

When it comes to writing scripts, you need to keep the fun. By that, I don't mean you have to be writing comedy, but that you have to keep the enjoyment of what you're doing in the front of your mind. Most of you aren't get paid to write, so you better be having fun on some level, and it better show in your scripts.

When people gripe about Hollywood movies - and this summer's crop has been especially bad - they're griping about the pitchers' duel: films so neutered of any kind of creative enjoyment in favor of some committee-created entertainment processed to be marketed to some particular demographic that they've sucked the fun out of going to the movies. Your first draft script is about the only thing in the process you can actually call your own, so enjoy it, let a reader sense that, and swing for the fences.