Just to avoid the inevitable individual questions people will ask me, I'm going to add this to the blog and get it over with all at once. I'm going to commit to electronic paper my thoughts on Watchmen.
If you're a fanboy, stop reading now, because I don't need any more death marks on my head.
In full disclosure, although I've been reading comics for decades, I've never been a Watchmen devotee. I read it when it first appeared - I've got all the issues tucked away in plastic somewhere, as well as the first leather-bound compendium - but never quite understood the amount of worship it still inspires.
So, when I went to the first IMAX show of the morning, I really wasn't expecting all that much. What I got was both more and less than even those mediocre expectations. This film looks beautiful, with loving detail to every stylized pose, an animated lighting kick on every drop of the copious amounts of blood. In my theater, the sound alone was worth the price of admission. The performances were great, even in the small, thankless roles. Individual moments of this film are brilliant. And yet, and yet...
It's just too damn long. By the time all the monologuing by Ozymandias and Dr. Manhattan arrives at the climax, I wondered if anyone realized how far into self-parody it had all slipped. Maybe it would be okay if everyone wasn't so glum, and if everyone hadn't taken the whole business so seriously.
A story that was originally delivered in monthly installments, and paced accordingly, cannot be consumed straight up in 2 hours and 43 minutes. The screenwriters should have acknowledged the different medium, and instead of using the comic as unbreakable blueprint, reformed the story for the screen. My choice would have been to let Rorschach loose with his cleaver on much of the backstory.
It's also too damn bloody. Ask anyone, I'm not squeamish, I'm down for a bit of the old ultra-violence, but when I have to look away from the screen... there's something really off kilter. It creates a tone break with other parts of the film that drags the viewer out of the story entirely. It also made me scared for humanity when the guys in the row behind me were groaning orgasmically at every rending of a human being. That's what they came for, apparently.
And yes, the blue animated penis on Dr. Manhattan is distracting. Ditto the "greatest boomer hits" soundtrack.
The moments of grandeur, like when Night Owl and Silk Spectre suit up and go crime-hunting, or when Rorschach faces down an entire prison, are definitely there, but they can't quite overcome the need for a lot of cumbersome exposition.
In the end, if you like the graphic novel, you won't be disappointed in the movie. If you don't know or don't care about the graphic novel, the film will strike you the same way.
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